Five Man Army

Primarily Found On:

Blue Lines


Also Found On:

The links below will take you either to the Collector section of MASSIVEATTACK.IE, or to an external website - either amazon.com or discogs.com, where you can find out more about all the the album (s)/release (s) that this particular Massive Attack song appears on.

Collected, Plastik Kolexion Vol. 1


First Released On:

1st June 1991


Duration:

06:04


Variations/Remixes:

N/A


Credits:

Written by Grant Marshall, Andrew Vowles, Robert Del Naja, Adrian Thaws and Claude Williams

Produced by Grant Marshall, Andrew Vowles, Robert Del Naja and Jonathan Sharp

Recording Engineered by Kevin Petri

Recorded at Eastcote Studios, London

Mixed at Matrix Studios, London

Mix engineered by Jeremy Allom

See Blue Lines info section for further credit details by clicking here.


Sampled:

Daydreaming uses a sample from the song "I'm Glad You're Mine" by noted American soul and gospel performer Al Green. It appears primarily on his 1972 release I'm Still In Love With You. It is not credited officially by Massive Attack.


Covered:

N/A


Vocalist(s):

Adrian Thaws, Claude Williams, Horace Andy, Robert Del Naja and Grant Marshall


Lyrics:

Willy Wee:
Trendy wendys you know what I mean
Hangin' around with girl who's rolling up her jeans
She watches her street cred 'cause she's no dummy
Saw rockin the microphone and now she's calling me a honey
Says I know what I want don't move with thugs
We're house parties hip hop and smoking drugs
And whoever's been the boss she's down with 'em
She's always on time 'cause the girl got rhythm
To avoid all complications I'll give some information
About a certain location under Paddington Station
'Cause when I host my show-a I avoid the girl called lola
Who's more pu-pu-public than the drink they call it coca cola
I’m just practice posing face is shaded in black
Is dominating as my color the massive attack
Right now I hit it kick it flow smooth hit middle wicket
Tricky:
I take a small step now it's a giant stride
People say I'm loud why should I hide
Only had a small taste so what a waste
I quietly observe though it's not my space
Bottom end's heavy you know we're never even
People call me Tricky for particular reason
I've got you see and I've got to let you know
See we're rockin' in your area rock beneath your balcony
My baby just cares for me well that's funny
Her touch tickles especially on my tummy
Willy Wee:
Now who's got the microphone
Tricky:
Now who's honey
Daddy G:
A turbo turbo and chant with a charge
Addy, Daddy G wild bunch crew at large
Don't call me an officer just call me a sarge
Mashing up the country planning also abroad
Plan to go to America when I get a visa card
Tricky:
But gettin' a visa card nowadays isn't hard
Daddy G:
So keep your ears glued listen to every chord
Tokyo City's one place that we toured
Four technic plus two mixer board
Sharper than a Wilkinson razor sword
3D:
When I was a child I played Subbuteo on
My table then I graduate to studio one
’Cos D’s my nom de plume you know but 3’s my pseudonym
And around my neck you know I wear the Sony Budokan
Indigo blues you got me in my own shoes
The people dancing in the shape for what they make
They can't lose
Yes waxing lyrical but this time it's not satirical
It's kinda spherical so jam me in a circle
This is the miracle of the dubplate dub selection
Willy Wee:
So whether you're black white or half-caste in your complection
3D:
Yes pull out your phono plug and tuck you in your phony
It's started by marconi resumed by Sony
A summary by wireless history and only
The massive attack enorme esplosione
Horace Andy:
Get away with your Cuss Cuss
We don't want it
Get away with your Cuss Cuss
We don't like it
Eternal love eternal love
Money money money
Root of all evil
Money money money
Root of all evil

History:

Five Man Army more than any other Massive Attack recalls the heydays of The Wild Bunch with lyrics referenceing The Wild Bunch's live stint in Japan, turntable's and mixer boards, house parties, not to metion Willy Wee who had been at Daddy G's side throughout much of The Wild Bunch's lifetime. Five Man Army, itself was based around a similar song also called Five Man Army by Dillinger and Trinity, even though this song was not sampled, merely the bassline copied entirely. This was Daddy G's doing most likely as this song, with it's deep dub basslines is mostly indebted to his particular love of dub and reggae.


Additional Info:

The vocalist of the first verse of Five Man Army is very commonly confused as being Daddy G. In fact, it is fellow Wild Bunch hanger-on Willy Wee, who has a very comparable deep voice like Daddy G.

The majority of Horace Andy's lyrics which appear towards the end of Five Man Army were lifted from his own back catalogue of reggae anthems, namely "Cuss, Cuss" and "Money Money".

On Collected, the song's duration is only 05:21. This is because at the 03:58 time duration mark into the song, there is a seamless edit which cuts out roughly the next 40 seconds of the song.


Live Appearances:

Five Man Army was played extensively throughout the 1994 soundsystem tour. On this tour, with Tricky and Willy Wee being available on most dates, they were able to provide their vocals as they are on the album version. For the 1995 tour, with Tricky falling out with Massive Attack, it was Daddy G who had had to provide the vocals for both of Massive Attack's lost touring party member on Five Man Army alongside 3D, Horace Andy and Willy Wee. The song itself was arranged and played in a similar fashion to way it appeared on Blue Lines. Since the 1995 tour however, Five Man Army has failed to make any of the live setlists, probably owing to the fact of Willy Wee's removal from the touring setup at this time.


Quotes:

3D on whay he mentions his Sony Walkman Budokan in the lyrics for Five Man Army - "Every rap track has a reference to Sony, yeah! It's not a plug for them though, it's just that Sony and their Walkman's are such a massive influence and the Sony Budokan is the ultimate portable sound experience, extra bass and a really huge sound. They even give you a cushion to sit on while you listen to it. It's a totally obsessive object and if you have something that you're really into, you constantly think about it, so when I think about words and music I constantly think of my Budokan, it's that simple. I also think about Subbuteo..." [Jocks Magazine - February 1991]